Simply looking at the melody, we can see that C occupies a more stable position than the pitch class F. It is likely that you heard the pitch C as having greater stability. Listen to the melody again and consider which pitch, C or F, sounds more stable-in other words, which pitch sounds more restful, more like a musical destination and less like an attraction along the way. To determine the key of this melody-C major or F major-we need to decide which note sounds most like the tonic. But all of these pitches also belong to the F major scale (F, G, A, B b, C, D, and E). This is a very good indication that this melody is in the key of C major. All of these pitches belong to the C major scale (C, D, E, F, G, A, and B). These are the harmonic chords that are diatonic to the B major scale.As you can see, this melody uses the pitches C, D, E, F, G, and A. The seven diatonic chords in the B major key are: ![]() Seventh chord in major scale will always be diminished. Second, third and sixth chords in major will always be minor. We use uppercase roman numeral numbers to represent major chords, lowercase to represent minor chords, uppercase with a small plus sign to represent augmented chords, and lowercase with a small circle to represent diminished chords.įirst, fourth and fifth chords in major will always be major. These are the seven major scale diatonic chords that come from the B major scale.Įach major scale diatonic chord is labelled with a roman numeral number:Īll major scales follow the same pattern: I, ii, iii, IV, V, vi, viiº How to form diatonic chords of B major scale? B Major Scaleī – C♯ – D♯ – E – F♯ – G♯ – A♯ – B are the notes of the B major scale.ĭiatonic chords are formed by stacking two generic third notes above each scale note.
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